The “poetry of light” consists of symbols and metaphors, where colour also plays an important part.
The first and most important level arises with the shooting of the light in the look, the soul of the individual and with it the essence of the human being.In this respect, the first photographs supporting a theory suggesting expression of the soul through photography will be singled out. Of these: Nadar and Julia Margaret Cameron. In relation to “metaphysical photography”, Frederick H.Evans (1899) the formulator of a geniune theory of “metaphysical photography” will be recognised.
Consequently, I hope you’ll really find here the congiunction of the following components: mystical light, metaphysical light and the close-up with its respective relationship with the soul.